- Andrew Stevovich: Familiar Faces exhibition catalogue, cover spread featuring Andrew Stevovich's Subway Riders
- Design by Alex Stevovich. Artwork by Andrew Stevovich
I designed the exhibition catalogue for Andrew Stevovich: Familiar Faces, produced by Adelson Galleries in conjunction with the exhibition on view March 24 through April 25, 2015. The catalogue runs 60 pages and opens with an introduction by Adam Adelson followed by a complete plate section of works in the exhibition. The catalogue was shared across both the New York and Boston presentations of the exhibition. The publication was also adapted to a digital edition for online display and distribution.
Scope of Work
- Visual identity development for the publication.
- Concept development and design direction.
- Layout design and typography across 60 pages.
- Image preparation for print and digital use.
- Digital edition adaptation for online display and distribution.
- On-site press supervision to oversee production and ensure color accuracy.
- Coordination with the printer through production.
Visual Identity
The visual identity for this catalogue was developed as part of the larger exhibition project. I was responsible for the complete design language of the exhibition — typographic system, color, graphic approach — and this extended fully into the catalogue, creating continuity across all materials produced for Andrew Stevovich: Familiar Faces.
Design Overview
The catalogue was designed as a plate-driven publication presenting Stevovich's figurative work, with a typographic and layout language supporting both introductory content and sustained image presentation across 60 pages.
Spreads in Sequence
- Andrew Stevovich: Familiar Faces exhibition catalogue, cover spread
- Andrew Stevovich: Familiar Faces exhibition catalogue, inside front cover spread
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 2–3
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 4–5
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 6–7
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 8–9
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 10–11
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 12–13
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 14–15
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 16–17
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 18–19
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 20–21
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 22–23
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 24–25
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 26–27
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 28–29
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 30–31
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 32–33
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 34–35
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 36–37
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 38–39
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 40–41
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 42–43
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 44–45
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 46–47
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 48–49
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 50–51
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 52–53
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 54–55
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 56–57
- Andrew Stevovich: Familiar Faces exhibition catalogue, pages 58–59
- Andrew Stevovich: Familiar Faces exhibition catalogue, inside back cover spread
Technical
I was responsible for image preparation throughout, including color balance, cropping, isolation of artwork from backgrounds, and preparing files for both print and digital use.
Production Coordination
I attended the print facility in person to oversee production and ensure color accuracy, coordinating directly with the printer through all stages of production.
Artwork Attributions
All artwork and photography shown was presented as part of the exhibition and remains the property and copyright of its respective rights holders.