Portfolio

Design and development of an independent archival re-release of the Willard Traub photography website, presenting nine thematic series and close to 200 photographs in a static build designed for long-term archival hosting, launched 2025.

Design and development of the Andrew Stevovich studio website, a comprehensive catalogue raisonné platform presenting nearly five decades of painting alongside drawings, prints, watercolors, and a fully relational archive of exhibitions, reviews, publications, and provenance, launched 2023.

Design and development of alexstevovich.com, a unified lifetime archival platform encompassing the full scope of a polymathic practice across visual arts, production arts, computer science, creative writing, and more, launched 2022.

Brand identity for the Belle production arts research initiative, built to unify tooling releases across DCC platforms under a single mark of quality — featuring a custom wordmark, monogram system, and illustrated mascot.

Development of visual identity, catalogue, and promotional materials for The Eyes Have It!, a group exhibition featuring over 40 artists focusing on the eye in art at Lehman College Art Gallery

Development of the exhibition catalogue for The Eyes Have It!, a publication presenting individual sections for each of over 40 participating artists alongside an introductory essay, documenting a group exhibition focusing on imagery of the eye. Published by Lehman College Art Gallery.

Design of a visual email campaign, comprising three emails, produced alongside The Eyes Have It!, a group exhibition presented at Lehman College Art Gallery.

Development of visual identity, catalogue, and supporting design materials for Alien Nations 2020, a group exhibition organized by Coral Gables Museum and Lehman College Art Gallery.

Development of the exhibition catalogue for Alien Nations 2020, a publication presenting works by over 25 artists exploring themes of alienation, based on the original 2017 exhibition of the same title. Published by Lehman College Art Gallery and Coral Gables Museum.

Brand identity for Tyra, a real-time systems research and development initiative — a wordmark and illustrated logo mark evoking exploration and wonder, designed to unify proprietary tools, effects, and software releases under a single coherent identity.

Brand identity for a proprietary content notation format — a calm, versatile mark system built around an illustrated butterfly-book motif, designed to sit comfortably across a wide range of publishing and documentation contexts.

Development of the monograph Andrew Stevovich: Beyond the Figure, a fifty-year retrospective survey presenting 120 paintings across eleven thematic essay chapters with dynamic integrated layouts. Published by Skira Editore in partnership with Adelson Galleries.

Heraldic paper cut illustration exploring themes of fortress, empyrean order, divinity, and zenith through flat color and strict geometric form. Part of an ongoing series of emblematic studies in emergent symbol discovery, produced as vector artwork.

Heraldic paper cut illustration exploring nature, fauna, and forest themes through flat color and strict geometric form. Part of an ongoing series of emblematic studies in emergent symbol discovery, produced as vector artwork.

Character illustration and marketing campaign asset set for Ghost (G), featuring a rounded square ghost mascot in flat white with bold black outline and soft gloss, adapted across poster, card, banner, and hero formats on a bright pink field.

Brand identity for Seogi, an entertainment brand, featuring a crowned mask emblem and a flexible color wordmark shifting between red and blue for production and entertainment contexts, produced as vector artwork.

Graphic illustration for the Conquer XO project. A stylized wolf portrait in playing card format, rendered in crimson flat graphic forms against a dark field, exploring primal mythology and animal nobility.

Character illustration and mascot design for the Seogi project, an anime inspired princess portrait with the brand's identity symbol rendered as a ceremonial mask, developed through illustration rather than predetermined design.

Illustration of a Blue Mochipuff, a kawaii character produced as a vector artwork, featuring light cell shading and thick confident line work, giving it a solid, plush quality. This is an ongoing practice study in appeal and creature design.

Illustration of a Red Mochipuff, a kawaii character produced as a vector artwork. It features light cell shading and thick confident line work, giving it a solid, plush quality. This is an ongoing practice study in appeal and creature design.

This entry represents a campaign of weekly newspaper advertisements for the Hudson River Museum, spanning the year of 2014. Each ad was designed for quick production on a recurring schedule, presenting exhibition information with consistent branding from week to week.

A kawaii montage assembling the Red, Yellow, and Blue Mochipuffs into a group display, produced as vector artwork. It features light cell shading and thick confident line work, giving the Mochipuffs a solid, plush quality and a SUPER Kawaii look. Part of an ongoing practice study in appeal and creature design.

Character illustration of the Iba Oracle for One, a franchise IP, depicting an oracle figure holding a glowing orb, rendered in a flat graphic style with soft ambient lighting against a solid black background, produced as composable vector artwork for motion illustration.

Character illustration of Greater Cosmic Enemy for One, a franchise IP — a symmetrical horned skull enemy figure rendered as a heraldic mandala in warm cream and mint against a solid black background, produced as vector artwork.

Title illustration of One Duality for One franchise IP. It depicts an elk and snow leopard facing each other across a central ornamental column bearing the numeral I, with a glowing blue eye at the center, produced as vector artwork.

Symbolic illustration of the Abundance Symbol produced for One, a franchise IP — an original emblem in gold, ivory and gem tones, exploring iconographic design as a foundational visual element within the franchise, produced as vector artwork.

Symbolic illustration of the Abundance Symbol produced for One, a franchise IP — an original emblem in gold, ivory and gem tones, exploring iconographic design as a foundational visual element within the franchise, produced as vector artwork.

An ongoing graphic study of the eye in a flat simplified illustration language, exploring shape, line, and expression across open and closed states, produced as vector artwork.

Development of visual identity, catalogue, poster, postcard, and environmental graphics for Wolf Kahn: Oil on Canvas, an exhibition at Adelson Cavalier Galleries.

Development of promotional and presentation materials for Steven Spazuk: Flowers, Triggers of Peace, an exhibition at Adelson Galleries Boston organized together with Hexton Gallery.

Design of a large-format exhibition poster, produced alongside Castles in the Sky: Fantasy Architecture in Contemporary Art, presented at Lehman College Art Gallery, featuring Jonathan Monaghan's Disco Beast.

Design of a visual email campaign, comprising three emails, produced alongside Castles in the Sky: Fantasy Architecture in Contemporary Art, presented at Lehman College Art Gallery.

Exhibition design across the United States and beyond. Work covers the full scope of exhibition presentation — identity, environmental graphics, catalogues, signage, print, presenation, and promotional materials.

Development of the exhibition catalogue for Castles in the Sky: Fantasy Architecture in Contemporary Art, a publication presenting works by over 30 artists exploring fantasy architecture in contemporary practice. Published by Lehman College Art Gallery.

Development of promotional and presentation materials for Eric Fischl: Recent Works, an exhibition at Adelson Galleries Boston organized together with Hexton Gallery.

Development of visual identity, environmental graphics, poster, email campaign, and invitation for Pintando: Colors of Education, an exhibition of masterpieces by renowned 20th century Mexican artists at Lehman College Art Gallery.

Brand identity for a proprietary programmatic HTML development approach — a character-driven mark system built around Lydio, a mint-green wizard cat mascot, designed to unify component-based tooling under an approachable and expressive brand.

Development of promotional and presentation materials for RePSYCHling, an exhibition at Adelson Galleries Boston.

Design and development of the Midnight Citylights studio website, a publishing platform and software product showcase supporting embedded interface modules, technical writing, and software distribution, launched 2018.

Design and development of the Fractal Bouquet studio website, a production arts platform supporting 3D viewer integration, image comparison display, video streaming, and a Marle-based publishing system for portfolio, editorial, and creative content, launched 2018.

Development of visual identity and environmental graphics for Our Rights, Our Freedoms, Always, an exhibition at Lehman College Art Gallery.

Development of promotional and presentation materials for Andrew Stevovich: Contemplating Figures, an exhibition at Adelson Galleries Boston.

Development of the exhibition catalogue for Andrew Stevovich: Contemplating Figures, a publication opening with an essay by Adam Adelson followed by a plate section with individual writings on each work. Produced by Adelson Galleries Boston.

Development of the monograph Federico Uribe: Watch the Parade, a comprehensive survey of Uribe's work spanning nearly thirty years, with seven major essay sections weaving text and images in dynamic layouts alongside a portfolio of works in four chapters. Published by Skira Editore in partnership with Adelson Galleries.

Development of promotional and presentation materials for Mardi Gras Indians: Max Stern & Robert Freeman, an exhibition at Adelson Galleries Boston.

Development of visual identity, original artwork, and exhibition panels for Tick-Tock: Time in Contemporary Art, a group exhibition at Lehman College Art Gallery.

Brand identity for DeepFrame, a research and development initiative in web infrastructure, featuring a three headed Cerberus emblem rendered in an ancient hieroglyphic inspired visual language, with a technical wordmark, standalone icon, and dark variant.

Brand identity for a control rigging and procedural animation research initiative — an illustrated logo mark reinterpreting the Vitruvian Man through the geometry of animation rigs, with a galloping horse overlaid with control point nodes and spherical construction lines.

Development of visual identity, catalogue, environmental graphics, and poster for A Dark and Stormy Night: Gothic Influence in Contemporary Art, a group exhibition at Lehman College Art Gallery.

Development of the exhibition catalogue for A Dark and Stormy Night: Gothic Influence in Contemporary Art, a publication presenting individual sections for each of 35 participating artists alongside a main essay, documenting a group exhibition exploring gothic influence in contemporary practice. Published by Lehman College Art Gallery.

Development of promotional and presentation materials for Raul Diaz: Selected Works, an exhibition at Adelson Galleries Boston.

Freedom Cube is an original graphic artwork built from geometric forms and bold red, white, and blue color blocks, referencing American visual themes through a clean, graphic structure.

Development of promotional and presentation materials for Steven Spazuk: Hubris, Beauty & Greed, an exhibition at Adelson Galleries Boston.

Design and development of the CSKY studio website, a large-scale archival portfolio and proprietary publishing platform supporting nearly 1,000 entries across multiple design disciplines, launched 2017.

Development of the exhibition catalogue for Alien Nations, a publication presenting individual sections for each of 18 participating artists alongside introductory essays, documenting a group exhibition exploring themes of alienation. Published by Lehman College Art Gallery.

Skyliners, cover concept art and character design for Super Miko: Enchanted Getaways, introducing Miko, a capable and playful airline captain cat character, produced as composable vector artwork for a website promotional animation.

Development of visual identity and associated design materials for Alien Nations, a group exhibition at Lehman College Art Gallery, on view in 2017. The exhibition featured works by 18 artists exploring themes of alienation.

Development of advertising and general design materials for Adelson Galleries' participation in The Winter Show 2017, Park Avenue Armory, New York.

Design of a single-page advertisement for Adelson Galleries' participation in The Winter Antiques Show 2017, Park Avenue Armory, New York, featuring John Singer Sargent's Kate Haven.

Illustration of a kawaii giraffe holding a cotton swab staff, a kawaii SUPER CUTE character illustration produced as digital artwork with thick confident line work.

Illustration of a sleeping kawaii bird, a character produced as vector artwork featuring light flat color and thick confident line work with a SUPER cute design.

Illustration of a kawaii alarm clock character, produced as vector artwork featuring light flat color and thick confident line work for a SUPER-CUTE aesthetic.

Illustration of a kawaii cat blob character, produced as vector artwork featuring light flat color and thick confident line work for a SUPER-CUTE aesthetic.

Brand identity for a visual design practice — a Pegasus silhouette with an extendable three-stripe color trail, a multicolor overlapping wordmark, and a flexible layout system designed to hold across any format from icon to wide-format banner.

Brand identity for Midnight Citylights, a software development studio, featuring a custom wordmark built from bold angular letterforms with a near future urban visual language.

Brand identity for Bouquet, a production and technical arts studio, featuring a minimal geometric logo mark translating a flower motif into strict geometric form, in grey and pink.

Brand identity for Paddock Particulars, an equestrian lifestyle and products brand, featuring a rotational P logo mark, serif wordmark, and monogram in a palette of sage green and warm cream.

Development of visual identity, environmental graphics, invitation, and supporting design materials for Adam Straus: Two Exhibitions, a dual-venue presentation at Adelson Galleries and Nohra Haime Gallery presenting the artist's recent paintings.

Development of promotional and presentation materials for Robert Freeman: New Works, an exhibition at Adelson Galleries Boston.

Design of exhibition catalogue for Infinite Compassion: Avalokiteshvara in Asian Art, an exhibition at the Staten Island Museum presenting sculptural and artistic depictions of the bodhisattva Avalokiteshvara across Asian cultures and centuries.

Development of the exhibition catalogue for Infinite Compassion: Avalokiteshvara in Asian Art, a scholarly publication presenting sculptural and artistic depictions of the bodhisattva Avalokiteshvara across Asian cultures and centuries. Published by the Staten Island Museum in collaboration with the Jacques Marchais Museum of Tibetan Art.

Development of visual identity, title design, poster, and supporting design materials for Bedazzled, a group exhibition at Lehman College Art Gallery.

Development of promotional and presentation materials for Safarani Sisters: Projecting Her, an exhibition at Adelson Galleries Boston.

Development of visual identity, exhibition signage, and wayfinding system for Jimmy Kuehnle: Tongue in Cheek, an exhibition at Hudson River Museum presenting the artist's large-scale inflatable sculptures throughout the museum's historic Glenview Mansion and modern wing.

Development of promotional and presentation materials for Clint Baclawski: Luminus, an exhibition at Adelson Galleries Boston.

Development of visual identity, exhibition panels, wall labels, invitation, and promotional materials for Juan Bernal: Pure and Simple, an exhibition at Hudson River Museum presenting the artist's paintings and photography alongside a commissioned work created for the exhibition.

Development of visual identity, takeaway card, and supporting design materials for Adelson Galleries' participation in Art New York 2016.

Design of a weekly print advertisement campaign for The New York Times, produced alongside Federico Uribe: Animals and Friends In Pencils, Books and Bullets, presented at Adelson Galleries, New York.

Development of visual identity, catalogue, environmental graphics, invitation, and advertisements for Federico Uribe: Animals and Friends In Pencils, Books and Bullets, an exhibition at Adelson Galleries presenting the artist's works constructed from everyday objects.

Development of the exhibition catalogue for Federico Uribe: Animals and Friends in Pencils, Books, and Bullets, a publication presenting Uribe's works constructed from everyday objects including colored pencils, books, and bullets. Produced by Adelson Galleries.

Development of promotional and presentation materials for Andrew Wyeth: Drawings and Watercolors, an exhibition at Adelson Galleries Boston.

Development of the exhibition catalogue for Staten Island SEEN, a scholarly publication tracing the history and landscape of Staten Island from the 17th century to the present through three long-form essays and a complete presentation of works. Published in conjunction with the permanent exhibition at the Staten Island Museum at Snug Harbor Cultural Center.

Development of visual identity, catalogue, environmental graphics, and promotional materials for Jacob Collins: Landscapes and Still Lifes, an exhibition at Adelson Galleries Boston presenting Jacob Collins's landscape and still life paintings.

Development of visual identity, catalogue, environmental graphics, and promotional materials for Oh Panama! Jonas Lie Paints the Panama Canal, an exhibition at Hudson River Museum presenting Jonas Lie's 1913 paintings of the Panama Canal construction.

Design of a promotional poster for the MTA Metro-North transit system, produced alongside Thomas Doyle: If the Creek Don't Rise, presented at Hudson River Museum.

Development of visual identity, exhibition panels, brochure, invitation, and transit advertisement for Thomas Doyle: If the Creek Don't Rise, an exhibition at Hudson River Museum presenting the artist's diorama-based sculptural work.

Design of a sealed, two-panel folded postcard-format invitation for Thomas Doyle: If the Creek Don't Rise, an exhibition at Hudson River Museum.

Design of a five-panel exhibition brochure for Thomas Doyle: If the Creek Don't Rise, an exhibition at Hudson River Museum.

Development of the exhibition catalogue for Oh Panama! Jonas Lie Paints the Panama Canal, a scholarly publication presenting Jonas Lie's paintings documenting the construction of the Panama Canal in 1913, with two long-form essays and extensive historical material. Published by Hudson River Museum in conjunction with the James A. Michener Art Museum.

Development of advertising and general design materials for Adelson Galleries' participation in The Winter Show 2016, Park Avenue Armory, New York.

Design of a single-page advertisement for Adelson Galleries' participation in The Winter Antiques Show 2016, Park Avenue Armory, New York, featuring Mary Cassatt's Augusta Reading to Her Daughter.

Development of visual identity, environmental graphics, invitation, and web presence for Mary Cassatt: Works on Paper, an exhibition at Adelson Galleries.

Design of a weekly newspaper advertisement campaign for the Hudson River Museum. This entry documents the year 2016, during which each advertisement was built on a consistent design to present the period's exhibitions, events, and museum information.

Development of exhibition brochure and supporting design materials for Adelson Galleries' participation in Art Miami 2015.

Development of the exhibition catalogue for Art in Nature: Legacy of the Land, a publication pairing pre–World War II plein-air landscapes with works by contemporary California painters, reflecting both the historical material and the continuity of a living landscape tradition. Published by the California Center for the Arts, Escondido.

Design of an MTA advertising campaign, including a transit poster and promotional mailer, produced alongside Jordan Matter: Dancers Among Us, presented at Hudson River Museum.

Development of visual identity, environmental graphics, photography wall labels, invitation, and promotional materials for Jordan Matter: Dancers Among Us, an exhibition at Hudson River Museum presenting the photographer's work capturing dancers in everyday settings.

Development of promotional and presentation materials for Federico Uribe: At Peace, an exhibition at Adelson Galleries Boston.

Design of an advertisement for the International Fine Print Dealers Association's Print Fair catalogue, produced alongside Picasso / Vollard: Prints from the Stock of the Artist's Publisher, presented at Adelson Galleries, New York.

Design of a weekly print advertisement campaign for The New York Times, produced alongside Picasso / Vollard: Prints from the Stock of the Artist's Publisher, presented at Adelson Galleries, New York.

Development of visual identity, catalogue, environmental graphics, invitation, and advertisements for Picasso / Vollard: Prints from the Stock of the Artist's Publisher, an exhibition produced by Marc Rosen Fine Art and presented at Adelson Galleries, presenting prints by Pablo Picasso from the stock of Ambroise Vollard, one of the most significant art dealers and publishers of the early 20th century.

Development of the exhibition catalogue for Picasso / Vollard: Prints from the Stock of the Artist's Publisher, a publication presenting prints by Pablo Picasso from the stock of Ambroise Vollard, among the most historically significant works in Picasso's printed oeuvre. Produced by Marc Rosen Fine Art in conjunction with Adelson Galleries.

Design of interpretive wall panels for Nybelwyck Hall, a permanent dollhouse installation at Glenview, Hudson River Museum.

Design of exhibition catalogue and column panel graphics for Staten Island SEEN, a permanent exhibition at the Staten Island Museum tracing the borough's history and landscape from the 17th century to the present.

Development of visual identity, catalogue, environmental graphics, and invitation for Fall Exhibition: Five Artists, a group exhibition at Adelson Galleries presenting works by Jacob Collins, Winfred Rembert, Andrew Stevovich, Federico Uribe, and Jamie Wyeth.

Development of promotional and presentation materials for Multiple Perspectives, a group exhibition at Adelson Galleries Boston featuring the art of Clint Baclawski, Tristan Govignon, and Dan Peterson.

Development of the exhibition catalogue for Federico Uribe: Drawn in Pencils, a publication presenting works by Federico Uribe constructed from physical colored pencils, featuring a custom embossed cover and spot gloss treatments throughout. Produced by Adelson Galleries.

Design of a standalone advertisement for Adelson Galleries Boston, placed in SoWa Guide, promoting the gallery's third anniversary in the SoWa Art + Design District.

Development of promotional and presentation materials for Marcus Reichert: Les Fleurs, an exhibition at Adelson Galleries Boston featuring the artwork of Marcus Reichert.

Design of a promotional poster for the MTA Metro-North transit system, produced alongside Adrien Broom: Envy, presented at Hudson River Museum.

Development of visual identity, environmental graphics, catalogue, and promotional materials for Adrien Broom: Envy, an exhibition at Hudson River Museum presenting the artist's large-scale photographic recreations of classic fairy tales through the lens of envy.

Design of a sealed, folded postcard-format invitation for Adrien Broom: Envy, an exhibition at Hudson River Museum presenting Adrien Broom's large-scale photographic recreations of classic fairy tales.

Design of a six-panel exhibition brochure for Adrien Broom: Envy, an exhibition at Hudson River Museum presenting Adrien Broom's large-scale photographic recreations of classic fairy tales.

Advertisement work spanning the full campaign lifecycle — from concept and placement strategy through production and publisher coordination. Clients include major galleries, cultural institutions, museums, entertainment companies, and commercial brands, with work appearing in The New York Times, Art in America, Artforum, and most major U.S. national publications.

Development of the exhibition catalogue for Peter Reginato: Fiction, a publication presenting Reginato's paintings applying his established enamel paint technique to canvas. Produced by Adelson Galleries in conjunction with the exhibition.

Development of the exhibition catalogue for Frohawk Two Feathers: Kill Your Best Ideas, a publication blending fictional narrative with scholarly writing, connecting Frohawk Two Feathers' paintings of his imaginary Republic of Frengland to Hudson River School landscapes from the museum's collection. Published by Hudson River Museum.

Development of promotional and presentation materials for Aithan Shapira: Architecture, Nature, and Light, an exhibition at Adelson Galleries Boston featuring the artwork of Aithan Shapira.

Design of a full-page advertisement for Art & Antiques magazine, produced alongside Jacob Collins, a solo exhibition at Adelson Galleries, New York.

Design of a weekly print advertisement campaign for The New York Times, produced alongside Jacob Collins, a solo exhibition at Adelson Galleries, New York.

Development of visual identity, catalogue, brochure, advertisements, and web presence for Jacob Collins, an exhibition at Adelson Galleries presenting the artist's landscapes, still lifes, and portraits.

Design of a three-panel exhibition brochure and custom mailing envelope for Jacob Collins, an exhibition at Adelson Galleries presenting Jacob Collins's landscapes, still lifes, and portraits.

Development of the exhibition catalogue for Jacob Collins (2015 exhibition), a publication presenting Collins' landscapes, still lifes, and portraits. Produced by Adelson Galleries in conjunction with the exhibition.

Design of exhibition catalogue for Art in Nature: Legacy of the Land, presented by the California Center for the Arts, Escondido, as part of the Art in Nature Alliance.

Development of promotional and presentation materials for Winfred Rembert: Another View, an exhibition at Adelson Galleries Boston featuring the artwork of Winfred Rembert.

Design of a standalone advertisement for Adelson Galleries Boston, placed in Improper Bostonian, featuring Federico Uribe's Wolf, 2015.

Design and development of the Adelson Galleries website, a data-driven gallery platform presenting historically significant and contemporary work, developed from an existing system and maintained throughout the gallery's operation at its Crown Building location in New York.

Design and development of the Woodcreek Horses website, an equestrian training and riding program platform presenting farm services, rider profiles, horse sales listings, and event information, launched 2017.

Design and development of the Porfirio DiDonna website, a hybrid scholarly platform combining a long-form editorial biography with a data-driven catalogue raisonné style archive of the artist's work, developed in collaboration with Nielsen Gallery.

Design and development of the Nielsen Gallery website, a data-driven gallery platform presenting artists, artworks, and curated digital exhibitions with editorial essays, supporting the gallery's transition to an appointment-based model.

Design of a promotional poster for the MTA Metro-North transit system, produced alongside Promoting the President, presented at Hudson River Museum.

Design of exhibition panels for Leah Harper: Complimentary, an exhibition at Hudson River Museum presenting the artist's interactive compliment-dispensing installation.

Development of visual identity, catalogue, invitation, takeaway card, and promotional materials for Frohawk Two Feathers: Kill Your Best Ideas, an exhibition at Hudson River Museum presenting the artist's narrative paintings set in his imaginary Republic of Frengland.

Development of visual identity, environmental graphics, invitation, and promotional materials for Promoting the President, an exhibition at Hudson River Museum exploring images of George Washington through four thematic lenses: Hero-General, Portraits, Memorials and Mementos, and Man or Myth.

Design of a full-page advertisement for Gallery Guide magazine, produced alongside Andrew Stevovich: Familiar Faces, presented at Adelson Galleries, New York.

Design of a weekly print advertisement campaign for The New York Times, produced alongside Andrew Stevovich: Familiar Faces, presented at Adelson Galleries, New York.

Development of visual identity, catalogue, environmental graphics, invitation, and advertisements for Andrew Stevovich: Familiar Faces, an exhibition at Adelson Galleries presenting the artist's figurative paintings.

Development of promotional and presentation materials for Andrew Stevovich: Familiar Faces, an exhibition at Adelson Galleries Boston featuring the artwork of Andrew Stevovich.

Development of the exhibition catalogue for Andrew Stevovich: Familiar Faces, a publication presenting Stevovich's figurative paintings, shared across presentations at Adelson Galleries New York and Adelson Galleries Boston. Produced by Adelson Galleries.

Design of exhibition brochure for Betty Bressi: Retrospective, an exhibition at the Staten Island Museum surveying the career of the Staten Island-based artist across six decades of work.

Design of a one-fold exhibition brochure for Betty Bressi: Retrospective, presented as part of the Staten Island Museum's Artists/Ideas Series surveying Betty Bressi's career from World War II-era works through later conceptual and paper-based art.

Development of advertising and general design materials for Adelson Galleries' participation in The Winter Show 2015, Park Avenue Armory, New York.

Design of a single-page advertisement for Adelson Galleries' participation in The Winter Antiques Show 2015, Park Avenue Armory, New York, featuring John Singer Sargent's The Candelabrum.

Design and development of the Allston Village Street Fair website, a five-year sponsored engagement building a new site from the ground up alongside cohesive visual identity development across web and print, launched 2017.

Design of a weekly newspaper advertisement campaign for the Hudson River Museum. This entry documents the year 2015, during which each advertisement was built on a consistent design to present the period's exhibitions, events, and museum information.

Development of a joint visual identity for Adelson Galleries and Adelson Galleries Boston, catalogue, environmental graphics, invitation, and supporting design materials for Adelson Galleries' participation in Miami Project 2014.

Design of a weekly print advertisement campaign for The New York Times, produced alongside Andrew Wyeth: Seven Decades, presented at Adelson Galleries, New York.

Design of a full-page advertisement for Art & Antiques magazine, produced alongside Andrew Wyeth: Seven Decades, presented at Adelson Galleries, New York.

Development of visual identity, catalogue, environmental graphics, brochure, and advertisements for Andrew Wyeth: Seven Decades, an exhibition at Adelson Galleries presenting a survey of Andrew Wyeth's work across seven decades drawn from private collections.

Design of a three-panel exhibition brochure and custom mailing envelope for Andrew Wyeth: Seven Decades, an exhibition at Adelson Galleries presenting a survey of Andrew Wyeth's work across seven decades.

Development of the exhibition catalogue for Andrew Wyeth: Seven Decades, a publication surveying Wyeth's work across seven decades drawn from private collections, many never before publicly exhibited. Produced by Adelson Galleries in conjunction with the exhibition.

Development of promotional and presentation materials for John Walker: New Works, an exhibition at Adelson Galleries Boston featuring the artwork of John Walker.

Development of the award winning exhibition catalogue for Strut: The Peacock and Beauty in Art, a scholarly publication tracing the peacock across art history and contemporary practice through six long-form essays and a complete presentation of works. Published by Fordham University Press in conjunction with the Hudson River Museum exhibition.

Design of a promotional poster for the MTA Metro-North transit system, produced alongside Strut: The Peacock and Beauty in Art, presented at Hudson River Museum.

Development of visual identity, award-winning catalogue, environmental graphics, and promotional materials for Strut: The Peacock and Beauty in Art, an exhibition at Hudson River Museum tracing the peacock as a subject through art history and contemporary practice.

Design of a sealed, folded postcard-format invitation for Strut: The Peacock and Beauty in Art, an exhibition at Hudson River Museum tracing the peacock as a subject through art history and contemporary practice.

Development of visual identity, catalogue, environmental graphics, invitation, and advertisement for Federico Uribe: Drawn in Pencils, an exhibition at Adelson Galleries presenting the artist's works made from physical colored pencils.

Development of promotional and presentation materials for Sam Earle: Circus, an exhibition at Adelson Galleries Boston featuring the artwork of Sam Earle.

Development of visual identity, a tri-fold exhibition brochure, wall lettering, and promotional materials for John Singer Sargent Drawings, an exhibition at Adelson Galleries Boston presenting a collection of drawings by John Singer Sargent.

Design of a tri-fold exhibition brochure for John Singer Sargent Drawings, an exhibition at Adelson Galleries Boston presenting a collection of drawings by John Singer Sargent.

Development of visual identity and exhibition brochure for Mandy Greer: The Ecstatic Moment, an exhibition at Hudson River Museum presenting the artist's textile, sculpture, and installation work.

Design of a five-panel exhibition brochure for Mandy Greer: The Ecstatic Moment, an exhibition organized by Hudson River Museum.

Development of promotional and presentation materials for Jamie Wyeth: Recent Paintings, an exhibition at Adelson Galleries Boston featuring the artwork of Jamie Wyeth.

Development of visual identity, environmental graphics, invitation, and web presence for the inaugural opening exhibition of Adelson Galleries at their new location in the Crown Building, New York.

Development of promotional and presentation materials for Federico Uribe: Objects in a Mirror, an exhibition at Adelson Galleries Boston featuring the artwork of Federico Uribe.

Design of a standalone advertisement for Adelson Galleries Boston, placed in MFA Guide, featuring Jamie Wyeth's Ramps, 2012.

Development of the exhibition catalogue for Jon Imber: Carry On, a retrospective publication presenting Imber's work. Published by Danforth Art Museum.

Design of exhibition catalogue for Jon Imber: Carry On, a retrospective exhibition at Danforth Art Museum.

Development of promotional and presentation materials for Tyson Andree: The Process, an exhibition at Adelson Galleries Boston featuring the artwork of Tyson Andree.

Development of advertising and general design materials for Adelson Galleries' participation in The Winter Show 2014, Park Avenue Armory, New York.

Design of a single-page advertisement for Adelson Galleries' participation in The Winter Antiques Show 2014, Park Avenue Armory, New York, featuring John Singer Sargent's Madame Errazuriz (The Lady in Black).

Development of promotional and presentation materials for Tristan Govignon: Journey, an exhibition at Adelson Galleries Boston featuring the artwork of Tristan Govignon.

Design of a 2-fold exhibition brochure for Tristan Govignon: Journey, an exhibition at Adelson Galleries Boston presenting Tristan Govignon's paintings, sculpture, and photography.

Design and development of the Simches and Company website, a professional tax accounting and planning firm platform providing essential service and contact information, later transitioned to a CPA-specific industry platform.

Design of a weekly newspaper advertisement campaign for the Hudson River Museum. This entry documents the year 2014, during which each advertisement was built on a consistent design to present the period's exhibitions, events, and museum information.

Brand identity for Simches & Company LLP, a professional services firm, featuring an overlapping SC monogram in navy and silver, a spaced small caps wordmark, and multiple lockup formats including a blue field variant, produced as vector artwork.

Development of promotional and presentation materials for Olitski in the 21st Century, an exhibition at Adelson Galleries Boston featuring the artwork of Jules Olitski.

Brand identity for the Belle production arts research initiative, built to unify tooling releases across DCC platforms under a single mark of quality — featuring a custom wordmark, monogram system, and illustrated mascot.

Development of promotional and presentation materials for Marcus Reichert: Irrational Painting, an exhibition at Adelson Galleries Boston featuring the artwork of Marcus Reichert.

Brand identity for the Belle production arts research initiative, built to unify tooling releases across DCC platforms under a single mark of quality — featuring a custom wordmark, monogram system, and illustrated mascot.

Design of an advertising campaign for Artscope magazine, including two full-page and one half-page advertisement, produced alongside Ten Artists, presented at Adelson Galleries Boston.

Development of promotional and presentation materials for Ten Artists, a group exhibition at Adelson Galleries Boston featuring the artwork of Tyson Andree, Sam Earle, Esther Garcia Eder, Jason Gluskin, Trist Govignon, Ian Hughes, Kencaid, Carmen Sasso, Jeff Smith, and Mark Steele.

Development of promotional and presentation materials for Harry Bertoia: Monotypes and Sculptures, a group exhibition at Adelson Galleries Boston featuring the artwork of Tyson Andree, Sam Earle, Esther Garcia Eder, Jason Gluskin, Trist Govignon, Ian Hughes, Kencaid, Carmen Sasso, Jeff Smith, and Mark Steele.

Development of the visual identity and presentation and promotional materials for Winfred Rembert: Caint to Caint, an exhibition of Winfred Rembert's artwork at Adelson Galleries Boston.

Development of advertising and general design materials for Adelson Galleries' participation in The Winter Show 2014, Park Avenue Armory, New York.

Design of a single-page advertisement for Adelson Galleries' participation in The Winter Antiques Show 2013, Park Avenue Armory, New York, featuring John Singer Sargent's Portrait of Miss Dorothy Vickers.

Design and development of the Rose Rundin website, a minimal static hub presenting the brand and directing visitors to associated marketplace storefronts, launched 2013.

Design and development of the Transomnebulism studio website, a client-facing service platform and evolving portfolio archive presenting graphic design and web development work across an independent design practice.

Development of the visual identity and presentation and promotional materials for Post-War Works on Paper, an exhibition at Adelson Galleries Boston featuring work by Fernando Botero, Roy Lichtenstein, James Rosenquist, Tom Wesselmann, Marcus Reichert, Stephen Scott Young, Donald Sultan, among others, and included over 25 artists in total.

Development of the visual identity and presentation and promotional materials for Andrew Stevovich: Games and Players, an exhibition at Adelson Galleries Boston featuring the work of Andrew Stevovich.

Design and development of the Adelson Galleries Boston website, a data-driven gallery platform presenting artists, exhibitions, and artworks across the gallery's full operational life from launch to closure, 2012 to 2019.

Brand identity for a curated resale and lifestyle brand — a cruciform spiral mark evoking cast iron craftsmanship, paired with a rounded lowercase wordmark in dusty rose and warm gold.

Design and development of the Willard Traub photography website, a curated permanent showcase of nine thematic series and close to 200 photographs, built with PHP and custom client-side JavaScript, launched 2010.

Brand identity for Honeycomb, an entertainment development brand, featuring a colorful hexagonal lattice mark inspired by eight dimensional honeycomb theory, delivered in dark, light, and a sinister red annihilator variant.

Brand identity for Transomnebulism, a creative design studio, featuring an ornate mandala logo mark, spaced uppercase wordmark, and editorial drop caps in warm gold and deep forest green, drawing on Art Deco sensibility.

Design and development of the Andrew Stevovich studio website, presenting over 500 paintings and close to 1,000 drawings alongside publications, press reviews, and exhibition information, built with PHP and custom client-side JavaScript, launched 2008.

Brand identity for South Florida Property Group, a real estate agency, featuring a clean wordmark and a coastal blue graphic banner with a sweeping wave line, designed for sign, magazine, and print placements.

Technical vector illustration for product instructions — clean universal imagery combining precise line work with a warm, approachable color palette. Modeled hand photography reinterpreted into flat graphic artwork.