- Jacob Collins 2015 exhibition catalogue, cover spread
- Design by Alex Stevovich. Artwork by Jacob Collins
I designed the exhibition catalogue for Jacob Collins, produced by Adelson Galleries in conjunction with the exhibition on view April 28 through May 30, 2015. The catalogue runs 94 pages and presents Collins' landscapes, still lifes, and portraits as a complete plate section. The publication was also adapted to a digital edition for online display and distribution.
Scope of Work
- Visual identity development for the publication.
- Concept development and design direction.
- Layout design and typography across 94 pages.
- Image preparation for print and digital use.
- Digital edition adaptation for online display and distribution.
- Coordination with the printer through production.
Visual Identity
The visual identity for this catalogue was developed as part of the larger exhibition project. I was responsible for the complete design language of the exhibition — typographic system, color, graphic approach — and this extended fully into the catalogue, creating continuity across all materials produced for Jacob Collins.
Design Overview
The catalogue was designed as a plate-driven publication presenting Collins' work across landscape, still life, and portraiture, with a typographic and layout language supporting sustained image presentation across 94 pages.
Spreads in Sequence
- Jacob Collins 2015 exhibition catalogue, cover spread
- Jacob Collins 2015 exhibition catalogue, inside front cover spread
- Jacob Collins 2015 exhibition catalogue, pages 2–3
- Jacob Collins 2015 exhibition catalogue, pages 4–5
- Jacob Collins 2015 exhibition catalogue, pages 6–7
- Jacob Collins 2015 exhibition catalogue, pages 8–9
- Jacob Collins 2015 exhibition catalogue, pages 10–11
- Jacob Collins 2015 exhibition catalogue, pages 12–13
- Jacob Collins 2015 exhibition catalogue, pages 14–15
- Jacob Collins 2015 exhibition catalogue, pages 16–17
- Jacob Collins 2015 exhibition catalogue, pages 18–19
- Jacob Collins 2015 exhibition catalogue, pages 20–21
- Jacob Collins 2015 exhibition catalogue, pages 22–23
- Jacob Collins 2015 exhibition catalogue, pages 24–25
- Jacob Collins 2015 exhibition catalogue, pages 26–27
- Jacob Collins 2015 exhibition catalogue, pages 28–29
- Jacob Collins 2015 exhibition catalogue, pages 30–31
- Jacob Collins 2015 exhibition catalogue, pages 32–33
- Jacob Collins 2015 exhibition catalogue, pages 34–35
- Jacob Collins 2015 exhibition catalogue, pages 36–37
- Jacob Collins 2015 exhibition catalogue, pages 38–39
- Jacob Collins 2015 exhibition catalogue, pages 40–41
- Jacob Collins 2015 exhibition catalogue, pages 42–43
- Jacob Collins 2015 exhibition catalogue, pages 44–45
- Jacob Collins 2015 exhibition catalogue, pages 46–47
- Jacob Collins 2015 exhibition catalogue, pages 48–49
- Jacob Collins 2015 exhibition catalogue, pages 50–51
- Jacob Collins 2015 exhibition catalogue, pages 52–53
- Jacob Collins 2015 exhibition catalogue, pages 54–55
- Jacob Collins 2015 exhibition catalogue, pages 56–57
- Jacob Collins 2015 exhibition catalogue, pages 58–59
- Jacob Collins 2015 exhibition catalogue, pages 60–61
- Jacob Collins 2015 exhibition catalogue, pages 62–63
- Jacob Collins 2015 exhibition catalogue, pages 64–65
- Jacob Collins 2015 exhibition catalogue, pages 66–67
- Jacob Collins 2015 exhibition catalogue, pages 68–69
- Jacob Collins 2015 exhibition catalogue, pages 70–71
- Jacob Collins 2015 exhibition catalogue, pages 72–73
- Jacob Collins 2015 exhibition catalogue, pages 74–75
- Jacob Collins 2015 exhibition catalogue, pages 76–77
- Jacob Collins 2015 exhibition catalogue, pages 78–79
- Jacob Collins 2015 exhibition catalogue, pages 80–81
- Jacob Collins 2015 exhibition catalogue, pages 82–83
- Jacob Collins 2015 exhibition catalogue, pages 84–85
- Jacob Collins 2015 exhibition catalogue, pages 86–87
- Jacob Collins 2015 exhibition catalogue, pages 88–89
- Jacob Collins 2015 exhibition catalogue, pages 90–91
- Jacob Collins 2015 exhibition catalogue, pages 92–93
Technical
I was responsible for image preparation throughout, including color balance, cropping, isolation of artwork from backgrounds, and preparing files for both print and digital use.
Production Coordination
I coordinated with the printer through production to ensure print quality and accurate color reproduction.
Artwork Attributions
All artwork and photography shown was presented as part of the exhibition and remains the property and copyright of its respective rights holders.