I create polished, flexible graphics for live formats, including title cards, lower-thirds, scoreboards, timers, sidebar panels, and visual frames. Each component is built with strong hierarchy and readable motion so information remains clear even during fast-paced shows or events.

I develop animated overlays designed for real-time output — responsive HUD-style graphics, dynamic panels, and modular elements that can be triggered or updated during a broadcast.

These systems are prepared for common live-production tools and real-time engines, with clean layering and predictable behavior.

I illustrate and prepare assets for avatar-driven environments, including character rigs, composited layers, reactive elements, and themed backgrounds. Design and motion are treated as a single system, creating a cohesive on-screen presence whether representative or stylized.

For modern broadcast and event workflows, I create graphic elements that integrate with motion tracking, spatial cues, or composited scenes. These assets extend a show’s visual language through subtle effects, environmental accents, and floating informational layers.

I design cohesive visual systems for competitions, panels, and live presentations — including result plates, match cards, stat screens, commentator overlays, and intermission visuals. All components are built to remain consistent under rapid updates and repeated use.

This category is broad by nature. Any project requiring expressive, readable, real-time graphics can be supported.

Depending on the project, deliverables may include layered artwork for broadcast systems, fully animated overlay elements, lower-thirds and title cards, motion sequences, avatar rigs or composited character systems, and themed graphic packages for events or streams.

All files are organized, production-ready, and prepared to integrate cleanly with the tools used in your workflow, including broadcast-safe formats and engine-ready assets for real-time rendering.